The scenario may be ripe comedy fodder, but it’s Demetriou’s densely packed script that elevates the series.
Sex miseducation: The messy history of TV’s most disappointing format. The Outlaws review: Christopher Walken does community service in slightly naff misfit comedy. 
Oh my crump! The cast of Stath Lets Flats on making their cult cringe comedy hit. His colleague Carole (Katy Wix) is heavily pregnant after their ill-fated one-night stand and he’s desperate to be a good father, his excitement manifesting by way of singing to strangers’ babies and crying in the back of cars. Even by the sitcom’s already lofty standards, the opening episode of series three is one of the funniest half-hours of TV I’ve seen, every performance utter gold.Īs we rejoin the dodgy world of the London rental market (courtesy of Michael & Eagle Lettings), we find Stath (Demetriou) nervously anticipating a major life change. Fortunately, the series makes a damn good case for this argument. Enjoyment of Stath requires an acceptance of one central idea: that saying things wrong is the funniest thing in the world. 
At a time when schedules were dominated by dramedies, thrillers with jokes and one-person shows using laughter to make serious points about identity and mental health (as it largely still is), Jamie Demetriou’s series was a rare thing: an out-and-out comedy. When Stath Lets Flats first aired on Channel 4 in 2018, it was an anomaly among the comedy landscape.
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